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- Offshore Wind Market to Reach $208.33 Billion, at a 15.4% CAGR by 2035 | MarketsandMarkets™According to MarketsandMarkets, the global Offshore Wind Market size is projected to reach USD 208.33 billion by 2035 from USD 57.51 billion in 2026, at a CAGR of 15.4% during the forecast period. The rapid expansion of renewable energy generation, growing energy security concerns, ambitious decarbonization targets, and increasing investments in offshore renewable infrastructure are significantly driving demand for offshore wind projects across global markets. As countries accelerate the transition toward low-carbon energy systems, offshore wind is becoming a critical source of large-scale renewable electricity generation due to its high capacity factors, abundant wind resources, and ability to support long-term energy sustainability goals.
- Important Notice to Long-Term Shareholders of Bloom Energy Corporation (NYSE: BE); Primoris Services Corporation (NYSE: PRIM); Roblox Corporation (NYSE: RBLX); and Symbotic Inc. (NASDAQ: SYM): Grabar Law Office is Investigating Claims on Your BehalfSHAREHOLDER NOTICE: Bloom Energy Corp. (NYSE: BE); Primoris Services Corp. (NYSE: PRIM); Roblox Corp. (NYSE: RBLX); and Symbotic Inc. (NASDAQ: SYM)
- Hemisphere Energy CorporationHemisphere Energy Declares Quarterly Dividend, Announces 2026 Second Quarter Results, and Provides Operations UpdateHemisphere Energy Corporation (TSXV: HME) (OTCQX: HMENF) ("Hemisphere" or the "Company") declares a quarterly payment to shareholders, provides its financial and operating results for the three and six months ended June 30, 2026, and provides an operations update.Quarterly DividendHemisphere is pleased to announce that its Board of Directors has approved a quarterly base cash dividend of $0.025 per common share in accordance with...
- Electric Construction Equipment Market to Grow from USD 3.81 billion in 2026 to USD 13.81 billion by 2033, at a CAGR of 20.2% — MarketsandMarkets™Delray Beach, FL , Aug. 20, 2026 -- MarketsandMarkets™ projects the electric construction equipment market is projected to grow from USD 3.81 billion in 2026 and to reach USD 13.81 billion by 2033, at a Compound Annual Growth Rate (CAGR) of 20.2% during the forecast period. The market for electric construction equipment is rapidly growing, driven by new EU targets that require a 55% reduction in greenhouse gas emissions by 2030. Additionally, major cities like Oslo aim for zero-emission construction sites by the same year. Recent noise regulations in Europe and North America are also influencing this shift; for example, the EU's Outdoor Noise Directive restricts construction equipment noise to under 80 dB(A) for many machine classes.
- InVert Graphite Advances Vertically Integrated Supply Chain with RapidGraphite Acquisition and Maiden Mineral Resource Estimate to Target Battery and Defense MarketsKey milestones achieved in establishing a vertically integrated, critical minerals supply chain to serve the expanding EV battery and defense sectors
- Aventis Energy Highlights Uranium Fertile System at the Corvo Uranium ProjectDrilling intersects fifty-five (55) metres of uranium enrichment and confirms prospective structure and alteration
- Department of Energy selects Felix Gold for up to $18 million in funding to advance Alaska antimony projectThe United States Government backs Australian-listed Felix Gold’s plan to establish a domestic US antimony supply chain
- 低利率时代如何打理家庭“钱袋子”？中欧基金联合中金公司发布《1000个中国家庭稳健投资洞察报告》来源：财联社 五年期定期存款平均利率已经下行至“1开头”的区间，用高息存款“躺着赚钱”成为历史，中国家庭财富配置的“底仓”正在经历一场深刻的“迁徙”。 根据中金测算，2022—2025年居民累计形成约6万亿元超额储蓄，即便权益市场阶段性回暖，居民储蓄意愿仍保持较高水平，这为家庭资产的结构性重新配置奠定了现实基础。同时，2026年约有67万亿元中长期定期存款集中到期，巨量到期资金亟待寻找适配的求稳投向，投资者求稳配置需求和市场有效供给之间的矛盾逐步凸显。 （注：“超额储蓄”定义为超出历史平均储蓄倾向（2016-2025年）的新增存款和理财规模。资料来源：Wind， 中金公司 研究部。） 海量到期存款会由哪些金融产品承接，当代中国家庭究竟如何定义“求稳投资”？大家可以接受多大的净值波动，愿意拿多久，又依靠什么标准做出买入、卖出的决策？当产品回撤触碰心理防线，家庭又会做出怎样的选择？ 近日，中欧基金联合中金公司共同完成《1000个中国
- “固收+”产品业绩急刹车 上半年绩优品种回撤明显（来源：经济日报） 转自：经济日报 经历了上半年的规模与业绩双丰收后，“固收＋”产品7月以来遭遇明显回撤。截至8月18日，上半年回报率超1％的产品里已有50只年内回报转负，上半年回报率超过20％的29只产品7月以来全部出现负回报。本轮回撤主要源于权益部分科技板块大幅下跌，债券部分收益较薄，无法形成有效对冲。部分产品二季度大幅抬升股票仓位，且持仓集中于AI产业链，这一布局导致在科技板块回调阶段进一步放大了净值波动。 业内人士认为，下半年市场风格有望趋于均衡，“固收＋”产品的基金管理人应更加重视仓位与风险等级的匹配及跨资产配置能力。 规模业绩双增后遭遇回撤 2026年上半年，“固收＋”成为公募市场里“叫好又叫座”的产品。在规模端，截至6月30日，按照Wind分类标准，“固收＋”产品总规模达到约3.52万亿元，较第一季度环比增长约11.8％。拉长周期来看，“固收＋”产品五年间增长幅度达95.9％，几乎实现翻番。从产品发行来看，截至8月
- 明阳智慧能源集团股份公司关于向境外子公司提供担保的公告登录新浪财经APP 搜索【信披】查看更多考评等级 证券代码：601615 证券简称： 明阳智能 公告编号：2026-058 明阳智慧能源集团股份公司 关于向境外子公司提供担保的公告 本公司董事会及全体董事保证本公告内容不存在任何虚假记载、误导性陈述或者重大遗漏，并对其内容的真实性、准确性和完整性承担法律责任。 重要内容提示： ● 担保对象及基本情况 ■ ● 累计担保情况 ■ 注：上述担保余额和担保总额均不包括尚未触发担保责任的履约担保涉及的金额。 一、担保情况概述 （一）担保的基本情况 明阳智慧能源集团股份公司（以下简称“公司”）全资子公司日本明阳分别（1）与日本公司Karatsu Wind GK就Karatsu项目的前期设计工作签署了《Early Works Agreement》（以下简称“《EWA协议1》”），协议金额为25,000,000日元；（2）与日本公司GK NWE-12 Investment就Shimane项目的前
- Critical One Energy Inc.Critical One Energy Discovers Gold with More High-Grade Antimony at Howells Lake ProjectCritical One Energy Inc. (CSE: CRTL) (OTCQB: MMTLF) (FSE: 4EF) ("Critical One" or the "Company") is pleased to announce that new assay results have identified additional near-surface antimony ("Sb") mineralization, confirming the Northeast extension of a high-grade antimony zone, and discovered gold ("Au") mineralization at its flagship Howells Lake Antimony-Gold Project ("Howells Lake Project"), located in the Thunder Bay Mining Division...
- Asia's fashion extravaganza CENTRESTAGE returns in SeptemberAsia’s premier annual fashion event CENTRESTAGE--organised by the Hong Kong Trade Development Council (HKTDC) and sponsored by the Cultural and Creative Industries Development Agency (CCIDA) of the Government of the Hong Kong Special Administrative Region (HKSAR) will return to the Hong Kong Convention and Exhibition Centre (HKCEC) from 2 to 5 September. One of the flagship programmes of the third "Hong Kong Fashion Fest", CENTRESTAGE will bring together some 270 brands from 24 countries and regions and will feature more than 40 spectacular events, including over 30 fashion shows. The number of participating designer brands and fashion shows reached a record high this year, showcasing the vibrancy and international influence of Hong Kong's fashion industry, and strengthening the city’s position as an international trading hub and an East-meets-West centre for international cultural exchange. The fair is open to industry buyers and the public for free, welcoming visitors to experience the unique charm of Asia’s fashion capital in person. Smilely Lam (centre), Associate Executive Director of the HKTDC; Katherine Fang (second left), Chairman of the HKTDC Garment Advisory Committee; Yvonne Ip, Assistant Commissioner for Cultural and Creative Industries (second right); Ryu Seok Chun (far right), Director General of the Korea Trade-Investment Promotion Agency Hong Kong (KOTRA); and Chief Designer XPX Eugene Lam from Hype² pavilion (far left) introduce the highlights of CENTRESTAGE at the press conference. Smilely Lam, Associate Executive Director of the HKTDC, said: “HKTDC is committed to promoting trade development through the extensive global network and years of exhibition experience to actively support Hong Kong fashion brands and designers in expanding into overseas markets. This year marks the 11th edition of CENTRESTAGE. Leveraging on Hong Kong’s role as a superconnector, we would like to utilise CENTRESTAGE to connect the industry with global buyers, partners and media. Through CENTRESTAGE, Hong Kong fashion and design can go further and shine brightly on the world stage.” Inaugural Hype² pavilion harnesses star power and KOL influence With the continuous growth of the global streetwear market and Generation Z consumers increasingly seeking "self-expression" and "emotional value", CENTRESTAGE introduces the Hype² pavilion for the first time this year. This pavilion spotlights fashion labels spearheaded by local celebrities and KOLs, promoting cross-sector collaborations across the fashion & lifestyle, show & entertainment, culture & creative industries. Participating brands include Claro by Rosita Kwok, OGIS by Vincent Wong, PICK AND MATCH by Kelvin Kwan, ROSEMA.ESE X Jaime Cheung by Jaime Cheung and Ariel Leung, and XPX by Pakho Chau and more. Several brands will launch limited-edition or debut products during the fair to further drive excitement. The fair will also host the "Hype² Fashion Show" on 4 September, featuring a joint presentation by more than 10 trend-setting brands. The fair brings together some 270 exhibiting brands from 24 countries and regions. CENTRESTAGE ELITES: KIT WAN STUDIO’s solo fashion show in Hong KongThe grand opening fashion show, CENTRESTAGE ELITES, will take place on the first day of the fair (2 September), putting the spotlight on KIT WAN STUDIOS, a multidisciplinary design and visual art studio led by Kit Wan, a Hong Kong-born creative director and visual artist. The studio's collaborative roster of local superstars is formidable and includes Miriam Yeung, Hins Cheung, MC Cheung, and Panther Chan. The artist’s overseas collaborations also span multiple top-tier events, including designing ‘stage armour’ for artists in Los Angeles at the Grammy Awards and Eurovision in the United Kingdom. Marking his solo fashion show in Hong Kong, the presentation is themed "MUTANT // MYTHOLOGY", connecting the two seemingly unrelated concepts of "mutation" and "mythology". Through three narrative chapters, it presents a cinematic fashion journey, striking a balance between the studio's signature performative showpieces and more-wearable fashion silhouettes. The HKTDC has specially arranged to livestream this grand fashion occasion on the CENTRESTAGE website and Instagram account, the HKTDC’s YouTube channel, Facebook and other official pages, as well as various lifestyle online platforms. During the fair, a dedicated exhibition area will also be set up at the venue to display selected works from CENTRESTAGE ELITES. Kit Wan will attend the fair in person on 4 September to share his experience in expanding into overseas markets and his insights on creative inspiration, to help guide young designers and fashion design students. Korea debuts as "Featured Partner" to present largest-ever pavilion This year’s CENTRESTAGE brings together exhibitors from 24 countries and regions, among which the Faroe Islands, Austria and Slovakia from Europe, the United Arab Emirates from the Middle East, Malaysia from Asia, as well as Colombia from South America will participate for the first time, further broadening the international footprint of CENTRESTAGE. Korea, meanwhile, becomes CENTRESTAGE's “Featured Partner” for the first time, with the Korean Pavilion jointly organised by the Korea Trade-Investment Promotion Agency (KOTRA), HISEOUL SHOWROOM and the Consulate General of the Republic of Korea in Hong Kong, marking the largest pavilion in the event's history. The pavilion brings 12 Seoul-based designer brands, including doucan, ELNORE, Ét demain, HOLYNUMBER7, NUOSMIQ and RE RH'EE. Beyond Seoul, the Gyeonggi Fashion Creative Studio brings 10 local brands, including ARTS DE BASE, PHENOMENON SEEPER and VEGANTIGER, introducing the latest Korean styling aesthetics and high street fashion to Hong Kong. The Korean pavilion will also present a thematic fashion show titled "SEOUListic: The Future is Sustainable" on 4 September (the third day of the fair). In addition to showcasing the creativity and sustainable concepts of Korean designers, Lee Chae-yeon, a former member of the girl group IZ*ONE, will make a special guest performance, fusing fashion and entertainment to highlight the charm of Korean pop culture. The Austrian pavilion, coordinated by Austrian Trade Commission, makes its debut with seven brands, including Woody, which boasts over a century of wooden shoe craftsmanship, and the avant-garde structuralist brand km/a mode. Led by the Australian Fashion Council, the Australian pavilion will present 10 participating brands showcasing a natural and comfortable Australian fashion aesthetic. Meanwhile, the Canadian pavilion, spearheaded by the Consulate General of Canada in Hong Kong and Macao, gathers several high-end, female-founded and female-led brands, including Iris Setlakwe and Devlyn Van Loon. Seven thematic zones feature new "Perfume" zone This year’s CENTRESTAGE features seven thematic zones. The brand-new "Perfume" zone gathers various fragrance brands from around the world, including niche labels from Malaysia, Thailand and Vietnam that are not yet available in Hong Kong, allowing buyers and fashion enthusiasts to extend their fashion experience through scents. The "Craftsmanship" zone is a combination of artisanal techniques and fashion design, featuring first-time Malaysian exhibitor Maswira Majid and local brand Catchu Syvaion, which incorporates craft elements into lingerie design. The "Contemporary" zone brings together brands such as Colombian label STUDIO INGRID BURGOS and Chinese Mainland premium menswear and womenswear brand Langdeng. The "Urban" zone spotlights casual design brands full of metropolitan charm, including local brand COLE COOL. The "Athleisure" zone gathers multiple collections combining sportswear elements and workwear, including local brand Glocal Mahjong. The "Circular Fashion" zone introduces first-time German exhibitor Paulina's Friends and local brand JESSE LEE, showcasing upcycled fabrics combined with 3D printing technology. Furthermore, the "Accessories" zone, which was first introduced last year, has further expanded in scale this year, with American luxury brand Jeremie St. Croix making its debut. Record number of fashion shows gathers industry elites and rising stars This year, CENTRESTAGE will feature more than 40 spectacular events, of which over 30 are fashion shows covering a diverse range of styles, setting a new record for the fair. One of the major highlights, the Fashion Hong Kong Runway Show, will take place on 3 September. Inspired by the theme "Hong Kong Dopamine", it will transform the diversity, aesthetics and energy of this city into a sensory experience. Four local designer brands, including 112 mountainyam, ANGUS TSUI, ARTY:ACTIVE and Z I D I, will present their latest creative collections, interpreting the unique allure of Hong Kong fashion design. In addition, other exciting fashion shows will feature local labels including KEVYIU, VICTOR CHAN STUDIO x atelierYVF, Cixi Jewelry and Cecilia Yau Couture, as well as designs by Paulina's Friends from Germany and Slovak designers Bráz Noémi and Mišena Juhász, showcasing diverse creative design styles from different regions to industry professionals and audiences. CENTRESTAGE will also host a series of talks during the fair, including a "Meet with Designer" session featuring Korean designer Rok Hwang in person on 4 September, who will share his experience in building the ROKH brand and taking it onto the international stage, as well as his observations and insights on the development of the global fashion industry. In addition, organisations including Redress, AiDLab and the Australian Fashion Council will present thematic talks exploring hot topics such as circular fashion and fashion technology. CENTRESTAGE continues to nurture emerging design talent through a series of competitions, including the Hong Kong Young Fashion Designers' Contest (YDC) organised by HKTDC, which is dedicated to providing a platform for young designers to showcase their work. In addition, the "Thread of Creativity – Fashion Design Competition 2026" organised by the Asian New Generation Creativity Design Association will also take place during the fair, allowing young designers to demonstrate their creative talent and inject fresh energy into the industry. In addition, the "Sparkle Charity Foundation x Sparkle Collection: Next In Chinese Style – Young Designer Challenge 2026 Award Presentation Ceremony", initiated by designer brand SPARKLE by KAREN CHAN, will honour the next generation of design talent, promoting the inheritance and innovation of fashion culture while encouraging young designers to fulfil their potential. Other highlights include a fashion showcase organised by the Fashion Farm Foundation, featuring works by designers from the Greater Bay Area, as well as the "Young Knitwear Designers' Runway 2026" organised by the Knitwear Innovation and Design Society (KIDS), showcasing the vitality and development potential of Hong Kong's knitwear fashion industry. The HKTDC Hong Kong Watch & Clock Fair and Salon de TIME (1-5 September), also organised by HKTDC, will be staged concurrently with CENTRESTAGE, allowing visitors to explore the latest watch and clock products alongside fashion brands at the same venue. The CENTRESTAGE Instagram account (@centrestage_hktdc) has been continuously updated with the latest event information and fashion trends. Everyone is welcome to follow the account to stay closely connected with all the latest happenings at CENTRESTAGE. CENTRESTAGE: https://www.hktdc.com/event/centrestage/en CENTRESTAGE Instagram (IG): https://www.instagram.com/centrestage_hktdc/ Fashion Hong Kong: https://www.fashionhongkong.com/ Hong Kong Young Fashion Designers' Contest (YDC): https://www.fashionally.com/en/ Photo download: https://bit.ly/4xUZbMs Smilely Lam (centre), Associate Executive Director of the HKTDC; Katherine Fang (second left), Chairman of the HKTDC Garment Advisory Committee; Yvonne Ip, Assistant Commissioner for Cultural and Creative Industries (second right); Ryu Seok Chun (far right), Director General of the Korea Trade-Investment Promotion Agency Hong Kong (KOTRA); and Chief Designer XPX Eugene Lam from Hype² pavilion (far left) introduce the highlights of CENTRESTAGE at the press conference. The fair brings together some 270 exhibiting brands from 24 countries and regions. The grand-opening fashion show, CENTRESTAGE ELITES, will be held on 2 September, spotlighting KIT WAN STUDIOS — a multidisciplinary design and visual-arts studio led by Kit Wan. The STUDIO’s new collection, "MUTANT // MYTHOLOGY," was previewed at today’s press conference. Kim Youngseok (centre) and Wilfred Chung (right), Deputy Director and Project Manager of the Korea Trade-Investment Promotion Agency (KOTRA), together with guest host Annie Lee (left), introduce the highlights of the Korean Pavilion. Girl group VIVA wearing outfits from participating Korean brands at the press conference, showcasing the allure of Korean fashion. Artist Jeffrey Ngai introduces CENTRESTAGE's newly launched Hype² pavilion. Media enquiries PURPLE: Fiona Wong Tel: (852) 9221 1056 Email: [email protected] Yannis Sin Tel: (852) 6226 3398 Email: [email protected] HKTDC’s Communications & Public Affairs Department: Katy Wong Tel: (852) 2584 4524 Email: [email protected] Jane Cheung Tel: (852) 2584 4137 Email: [email protected] HKTDC Newsroom: https://mediaroom.hktdc.com/en About HKTDC The Hong Kong Trade Development Council (HKTDC) celebrates its 60th anniversary this year. The HKTDC is a statutory body established in 1966 to promote, assist and develop Hong Kong's trade. With over 50 offices globally, including 13 in the Chinese Mainland, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on @hktdc and LinkedIn About Cultural and Creative Industries Development Agency (CCIDA) The Cultural and Creative Industries Development Agency (CCIDA), formerly known as Create Hong Kong (CreateHK) since 2009, was established in June 2024. CCIDA is a dedicated office under the Culture, Sports and Tourism Bureau of the Government of the Hong Kong Special Administrative Region (HKSAR Government) to provide one-stop services and support to the cultural and creative sectors with a mission to foster a conducive environment in Hong Kong to facilitate development of the arts, culture and creative sectors as industries. CCIDA’s strategic foci are nurturing talent and facilitating start-ups, exploring markets, promoting cross-sectoral and multi-disciplinary collaboration, promoting industrialisation of the arts, culture and creative sectors under the industry-oriented principle, and fostering a creative atmosphere in the community, thereby reinforcing Hong Kong as Asia’s creative capital and our positioning as the East-meets-West centre for international cultural exchange. About Hong Kong Fashion Fest Announced by the Hong Kong Special Administrative Region Chief Executive in the 2023 Policy Address, "Hong Kong Fashion Fest" will be organised to develop Hong Kong into a fashion design hub in Asia. Through consolidating various fashion design events and introducing innovative elements and affiliate activities annually, the Hong Kong Fashion Fest promotes Hong Kong’s fashion and textile design brands and boosts Hong Kong’s position as a prime destination for hosting mega cultural and creative events. Under the theme "Rhythm of the Heart", the third edition of Hong Kong Fashion Fest will be held from 1 to 14 September 2026 at various landmarks in Hong Kong. The event will bring together eight flagship programmes organised by six industry organisations and, for the first time, will be combined with CENTRESTAGE - the annual fashion extravaganza organised by the Hong Kong Trade Development Council - to generate stronger synergies. The event will attract fashion design industry players from all over the world to come to Hong Kong; foster collaboration, innovation and business opportunities; establish platform for local and international fashion designers and brands and connect with different sectors in the fashion design industry of Hong Kong, the Chinese Mainland and overseas, thereby consolidating Hong Kong’s position as the East-meets-West centre for international cultural exchange. Disclaimer: The Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.